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	<title>rst.palladino</title>
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	<pubDate>Thu, 13 Mar 2025 16:27:32 +0000</pubDate>
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		<title>Home</title>
				
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		<pubDate>Wed, 02 Oct 2024 17:03:11 +0000</pubDate>

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		<title>Projects</title>
				
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		<pubDate>Thu, 13 Mar 2025 16:27:32 +0000</pubDate>

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&#60;img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/78eeaa5ef81a3de1972ff63e9446f6eb746cae2f143d0ed5a5fcdc9b95d602ca/01_Axon.png" data-mid="228212180" border="0" data-draggable alt="Librairie 7L @Villa Medici The Academy of France in Rome, Italy" data-caption="Librairie 7L @Villa Medici The Academy of France in Rome, Italy" src="https://freight.cargo.site/w/1000/i/78eeaa5ef81a3de1972ff63e9446f6eb746cae2f143d0ed5a5fcdc9b95d602ca/01_Axon.png" /&#62;
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&#60;img width="1451" height="1450" width_o="1451" height_o="1450" data-src="https://freight.cargo.site/t/original/i/b13c65d1f165f00d2f3b66f43133ea9423f792d002a2927813dce0baae2c1fd0/a.jpg" data-mid="228212328" border="0" alt="A Fence to Stop Time@Lanzarote, Spain" data-caption="A Fence to Stop Time@Lanzarote, Spain" src="https://freight.cargo.site/w/1000/i/b13c65d1f165f00d2f3b66f43133ea9423f792d002a2927813dce0baae2c1fd0/a.jpg" /&#62;
&#60;img width="2607" height="2607" width_o="2607" height_o="2607" data-src="https://freight.cargo.site/t/original/i/7ee21c8eb5d363f92cdc94f8799ce25c2887b0763dc7ca59a0a25d7fd68f9ced/00.ISO2-02.png" data-mid="250186322" border="0" alt="PRATOFIORITO @Eataly Milano Diamante, Milan, Italy" data-caption="PRATOFIORITO @Eataly Milano Diamante, Milan, Italy" src="https://freight.cargo.site/w/1000/i/7ee21c8eb5d363f92cdc94f8799ce25c2887b0763dc7ca59a0a25d7fd68f9ced/00.ISO2-02.png" /&#62;
&#60;img width="2500" height="1768" width_o="2500" height_o="1768" data-src="https://freight.cargo.site/t/original/i/1b611c40ff40c2df00c18958b750bb10055c44d052ace68c401deeb053713bfc/Proyect.png" data-mid="250184472" border="0" alt="Forest Futures @Druker Design Gallery, Harvard GSD, Cambridge MA" data-caption="Forest Futures @Druker Design Gallery, Harvard GSD, Cambridge MA" src="https://freight.cargo.site/w/1000/i/1b611c40ff40c2df00c18958b750bb10055c44d052ace68c401deeb053713bfc/Proyect.png" /&#62;
&#60;img width="2835" height="1701" width_o="2835" height_o="1701" data-src="https://freight.cargo.site/t/original/i/4a44e55363c258266665ea8596d18a74554a7bc9ff6809e37d440b3718da4916/sardigna-no-est-italia-02.png" data-mid="250186341" border="0" alt="Sardinia no Est Italia " data-caption="Sardinia no Est Italia " src="https://freight.cargo.site/w/1000/i/4a44e55363c258266665ea8596d18a74554a7bc9ff6809e37d440b3718da4916/sardigna-no-est-italia-02.png" /&#62;
&#60;img width="1275" height="1650" width_o="1275" height_o="1650" data-src="https://freight.cargo.site/t/original/i/70bea378cfa4e65be69b5a72fa88b6648c00e898cb6218aaa1de5f9c11178899/WRITING.png" data-mid="250186288" border="0" alt="HYMN TO NINKASI @Cambridge Common, MA, USA" data-caption="HYMN TO NINKASI @Cambridge Common, MA, USA" src="https://freight.cargo.site/w/1000/i/70bea378cfa4e65be69b5a72fa88b6648c00e898cb6218aaa1de5f9c11178899/WRITING.png" /&#62;
&#60;img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/9708a3b6d2a174defcb56e6d67889a83fee6f0718ea0825c9c5d642a4e689b1e/gfhmappa.png" data-mid="250186308" border="0" alt="Greetings from the Hinterland! @Tramonti, Amalfi Coast, Italy" data-caption="Greetings from the Hinterland! @Tramonti, Amalfi Coast, Italy" src="https://freight.cargo.site/w/1000/i/9708a3b6d2a174defcb56e6d67889a83fee6f0718ea0825c9c5d642a4e689b1e/gfhmappa.png" /&#62;
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		<title>About</title>
				
		<link>https://rositapalladino.com/About</link>

		<pubDate>Mon, 16 Jan 2023 18:52:59 +0000</pubDate>

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	&#38;nbsp; &#38;nbsp; &#38;nbsp;Rosita Palladino is a Lecturer at Cornell AAP, where her research examines celebration practices and ephemeral, self-built architectures. She studies how ritual, festivity, and temporary structures operate as pedagogical tools and as strategies for envisioning future possibilities across urban, rural, and remote landscapes. Her interdisciplinary approach bridges architectural assemblies, ecology, landscape studies, the social sciences, and art history.



She previously served as an Adjunct at the Syracuse University School of Architecture. Palladino holds Bachelor's and Master's degrees in Architecture from Politecnico di Milano, with professional experience in Italy, Spain, and Portugal. She graduated with distinction from the Master in Design Studies (Ecologies) at Harvard University Graduate School of Design, where she received the Ermenegildo Zegna Fellowship and served as a Teaching Fellow in the Department of History of Art &#38;amp; Architecture. Her recognitions include the Dimitris Pikionis Award and the Design Studies Domain Award, in acknowledgment of her research agenda and contributions to the GSD research community

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		<title>Archive</title>
				
		<link>https://rositapalladino.com/Archive</link>

		<pubDate>Wed, 02 Oct 2024 13:55:08 +0000</pubDate>

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	ARCHITECTURE2024Librairie 7L with Manuel Bouzas [Urban] forniture for Librairie7L@Villa Medici, the Academy of France in Rome2024Cabane 7L with Manuel Bouzas An ephemeral architecture for Chanel and Librairie7L@Villa Medici, the Academy of France in Rome2021RGF with DC.ADRefurbishmentLisbon, Portugal2019Pratofiorito with DFC StudioAn ephemeral garden for Eataly, Milan Design WeekMilan, Italy2018A Space to Stop Time with SpaziofuoritempoAn ephemeral sacred fence Lanzarote, SpainEXHIBITIONS &#38;amp; EVENTS2025La fiesta de Internalities@San Servolo, Venezia, ItalyInternalities - Spanish Pavilion at the Biennale Architettura
2025LA F[i]ESTA@Syracuse University Quad Syracuse University, School of Architecture2024Forms of Assembly@Piper Auditorium Harvard UniversityGraduate School of Design2024Forest Futures@Druker Design Gallery Harvard UniversityGraduate School of Design


	RESEARCH &#38;amp; WRITING
2025Sum-Remont: Balconies Reclaimed, Repurposed, RedefinedBukhara Biennal, 2025, Recipes for Broken Hearts

2024Alchemy of Repair Harvard Graduate School of Design2024[No Peace] Though the Olive TreesHarvard FAS - Graduate School of Design2023Hymn to Ninkasi Harvard Graduate School of Design2023Stitching Atomic NarrativesHarvard Graduate School of Design2022Sardigna no Est ItaliaHarvard Graduate School of Design2022Pizza AcknowledgmentHarvard Graduate School of Design2020-2022Greetings from the Hinterland!Harvard Graduate School of Design


	


	TEACHING

2025Pre-College ProgramsAdjunct FacultySyracuse University, School of Architecture
2024-2025Core 1-2 Studios, Directed Research, and Thesis AdvisorBuilding Systems Design Assistant&#38;nbsp;Adjunct FacultySyracuse University, School of Architecture2024Introduction to Italian Renaissance Art 
w/ Prof. PhD. Shawon Kinew
Teaching Fellow at Harvard University Department 
of History of Art + Architecture2024Forms of Assembly w/ Malkit Shoshan
Teaching AssistantHarvard UniversityGraduate School of Design2024[Y]EAST
J-Term IntructorHarvard UniversityGraduate School of Design2024Forms of Assembly w/ Malkit Shoshan
Teaching AssistantHarvard UniversityGraduate School of Design2023Interdisciplinary Art &#38;amp; Design Practices w/ Malkit Shoshan
Teaching AssistantHarvard UniversityGraduate School of Design
	
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		<title>A Fence to Stop the Time</title>
				
		<link>https://rositapalladino.com/A-Fence-to-Stop-the-Time</link>

		<pubDate>Tue, 27 Feb 2024 16:22:28 +0000</pubDate>

		<dc:creator>rst.palladino</dc:creator>

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&#60;img width="1620" height="1080" width_o="1620" height_o="1080" data-src="https://freight.cargo.site/t/original/i/170292780327857624e573ac93173c509a26e1ef760e77bf2f82c5f167be2c9b/frame-1bn.jpg" data-mid="205582347" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/170292780327857624e573ac93173c509a26e1ef760e77bf2f82c5f167be2c9b/frame-1bn.jpg" /&#62;
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&#60;img width="1196" height="855" width_o="1196" height_o="855" data-src="https://freight.cargo.site/t/original/i/d066bdf6f444a30d506ca12249b39999376dc6e9992b5d8809b7c346100468fa/q.jpg" data-mid="205582005" border="0"  src="https://freight.cargo.site/w/1000/i/d066bdf6f444a30d506ca12249b39999376dc6e9992b5d8809b7c346100468fa/q.jpg" /&#62;


	Lanzarote, Spain.
2018
	«A fence to Stop the Time»
Home︎︎︎
	
	

	Avisors: Davide Fabio Colaci, Lola Elisabetta Ottolini.

Institution:&#38;nbsp;
Politecico di Milano


Team: Rosita Palladino,Beatrice Carraro, Nicolò Buizza, Gregorio Minelli, Alessandro Pasero, Pietro Rava,
Giada Zuan 

	Old rituals are still ringing in the primitive, volcanic land of Lanzarote. In ancient times, the indigenous manifested their sacred virtue by using the archetypes of the efquene and tagoror, ritual fences, placed around an idol as thresholds to access a magical and defended habitat.


Today, this ancient ritual’s memory allows reflections on the contemporary relationship between humans, time, and environment. The island’s region of mataburros, where the wind erodes these fragile whinstones, becomes ideal for expressing the project’s meaning. This land’s weakness is a metaphor for a condition to preserve, as an imminent future where the few natural resources will be too precious. The sacred fence closes around one of the whinstones, destined to disappear. A natural alcove created by the wind, protects an egg, a as a symbol of fertility, life, and eternal. Every sacred space has its ceremonies: all the devotees move in it as dancing, a cathartic circular choreography to be dared to meet God. 

The holiness of this land was written and celebrated by the aboriginals who identified several ethereal scenes, observed through the centuries by poets, architects, and movie directors, who tried to encapsulate its beauty and drama in their art. Indeed the project aims to identify a new possible scenario for a rite to celebrate a more actual vision of the environment: ephemeral and fragile.


In «A Fence To Stop Time» space takes shape as a distant habitat, crossable by twelve trilithium, arranged with soft curtains. The wind that gives life and dynamism to the enclosure consumes and dissolves its idol. The fence is built by tracing a circle and divided into four parts, and each of it is in three sections (4x3, pic c.). Twelve symbolizes the recomposition of the primordial wholeness. In other terms, it represents the descent to earth of a cosmic model of thoroughness and harmony. The meaning of this number indicates the conclusion of a completed cycle; it is the symbol of the paramount initiatory test that allows to pass from an ordinary plane 
to a higher, sacred one.
Globalization, new media, climate change, and the issues of our contemporary are overwriting the anthropological value of our existence, and therefore of our projects. «Other metaphors» is a challenge that accepts failure and does not pretend to give answers but wants to recover that time of reflection and criticism that especially new generations can intercept.


	
	









Illustrations



	
&#60;img width="2481" height="3511" width_o="2481" height_o="3511" data-src="https://freight.cargo.site/t/original/i/321d2e46f45266f69112a54f16f82f51935c8c2b192517cb81b0c5ea5eaf1567/RIDISEGNI01.png" data-mid="205582351" border="0"  src="https://freight.cargo.site/w/1000/i/321d2e46f45266f69112a54f16f82f51935c8c2b192517cb81b0c5ea5eaf1567/RIDISEGNI01.png" /&#62;
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		<title>Pratofiorito</title>
				
		<link>https://rositapalladino.com/Pratofiorito</link>

		<pubDate>Thu, 02 Mar 2023 03:08:51 +0000</pubDate>

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&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/06659c873812c068b3b3309a36e4b621015d048bc8afb41841c20022480150d9/PRATOFIORITO1.jpg" data-mid="181162596" border="0" data-scale="65" src="https://freight.cargo.site/w/1000/i/06659c873812c068b3b3309a36e4b621015d048bc8afb41841c20022480150d9/PRATOFIORITO1.jpg" /&#62;
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	Milan, Italy.
2019
	«Pratofiorito»Next Project︎︎︎
	
	

	In collaboration with: Davide Fabio Colaci, Giuseppe Cirillo, Nicola Brasetti, Dario Valenti.

Press: Luisa Bertoldo

Partners: Eataly Milano Smeraldo, Slow Food, Politecnico di Milano.

Politecnico Team: Rosita Palladino, Valentina Acerbis, Armin Aschenbrenner, Carla Ballesteros, Matteo Braghin, Nicolò Buizza,Lorenzo Cellini, Luca Comerio, Giorgia Concato, Alessandro Coppola, Nicola Gamba, Max Gicklhorn, Giacomo Fabbrica, Pietro Franceschi, Gregorio Minelli, Alessandro Pasero, Pietro Rava, Camilla Sala, Nicolo’ Signori, Beatrice Utano, Benedetta Vaghi, Marta Valentino, Francesca Villa, Giovanni «
	«PRATOFIORITO» is a temporary garden aimed to re-activate an urban void with a high frequency of users through the production of space with a more conscious relationship between nature and the city. Eataly promotes the project in collaboration with the Slow Food Foundation for Biodiversity and the support of the Municipality of Milan. Designed by the architect Davide Fabio Colaci with students of the Politecnico di Milano and the garden designer Dario Valenti, it donates a field full of flowers and plants that stimulate the urban biodiversity of the city. 

«PRATOFIORITO» is an installation made with an embank that holds a garden with mixed species of flowers, plants, and elements related to the «Bee the future» network. The flowered enclosed by a bench; it surrounds a small protected arena for outdoor activities addressed to kindergartens and elementary schools. Education plays a crucial role in the awareness about the bees’ significance for environmental wellbeing. The purpose of Eataly is to bring back biodiversity in the urban areas through a three-year commitment to the reforestation of 100 hectares with flowers loved by bees (Calendula / Mustard / Flax / Mallow) since we must remind that «To make a seed you need a bee!».&#38;nbsp;The project includes a candy distributor for organic seeds, financed by the company «Arcoiris» to encourage people to take small actions as planting a flower on their terrace; it is a simple as essential tool to help bees come again to the cities. Likewise, the project is a tool for new ways of reactivating and populating urban voids enjoying the outdoor space, although in the middle of dense urbanization as in Milan. The arena placed in the middle of the embank is designed for the educational purpose of «PRATOFIORITO»; the seats and the circular shape give new points of view on the garden, allowing children to learn about flowers composition.
Through the installations of bees hives and the guided tours arranged by Politecnico students, preschoolers can discover various bee species, which live in different ways, revealing the complex systems of these insects.



	
	



&#60;img width="2183" height="1374" width_o="2183" height_o="1374" data-src="https://freight.cargo.site/t/original/i/28de0960d385e6759f2c162f3c3a3e3989245c86c61469be1f44a7df33adbbc0/ARENA-01.png" data-mid="180268060" border="0"  src="https://freight.cargo.site/w/1000/i/28de0960d385e6759f2c162f3c3a3e3989245c86c61469be1f44a7df33adbbc0/ARENA-01.png" /&#62;
&#60;img width="2337" height="1035" width_o="2337" height_o="1035" data-src="https://freight.cargo.site/t/original/i/2ef415ec3518b13d20b400b3f962f3061a8c8e11e9ba628550673da562e48f45/PLAN-PRATOFIORITO-Layout2-01.png" data-mid="180268812" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/2ef415ec3518b13d20b400b3f962f3061a8c8e11e9ba628550673da562e48f45/PLAN-PRATOFIORITO-Layout2-01.png" /&#62;

Illustrations



	
&#60;img width="2607" height="2607" width_o="2607" height_o="2607" data-src="https://freight.cargo.site/t/original/i/7ee21c8eb5d363f92cdc94f8799ce25c2887b0763dc7ca59a0a25d7fd68f9ced/00.ISO2-02.png" data-mid="180269211" border="0" data-scale="46" src="https://freight.cargo.site/w/1000/i/7ee21c8eb5d363f92cdc94f8799ce25c2887b0763dc7ca59a0a25d7fd68f9ced/00.ISO2-02.png" /&#62;
&#60;img width="942" height="942" width_o="942" height_o="942" data-src="https://freight.cargo.site/t/original/i/a5ff62f48f1c62d3d43d164d34bfaacc374a57223590e5cdbb44ab751a8e181b/CASEpratofiorito.png" data-mid="181162220" border="0"  src="https://freight.cargo.site/w/942/i/a5ff62f48f1c62d3d43d164d34bfaacc374a57223590e5cdbb44ab751a8e181b/CASEpratofiorito.png" /&#62;
&#60;img width="2000" height="1999" width_o="2000" height_o="1999" data-src="https://freight.cargo.site/t/original/i/7028fb9969ec5103ebb17414feca2ee25c9d91f5c428b80d73dc49294490c8ae/ARENApratofiorito.png" data-mid="181161216" border="0" data-scale="87" src="https://freight.cargo.site/w/1000/i/7028fb9969ec5103ebb17414feca2ee25c9d91f5c428b80d73dc49294490c8ae/ARENApratofiorito.png" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Fallfromgrace</title>
				
		<link>https://rositapalladino.com/Fallfromgrace</link>

		<pubDate>Mon, 29 May 2023 08:40:48 +0000</pubDate>

		<dc:creator>rst.palladino</dc:creator>

		<guid isPermaLink="true">https://rositapalladino.com/Fallfromgrace</guid>

		<description>
	
&#60;img width="1742" height="1196" width_o="1742" height_o="1196" data-src="https://freight.cargo.site/t/original/i/dd0fb391e056e86ebc32b5d75bdd6667f25f34a99a04961e78f9399f4a6e5b40/fall-from-grace-01.png" data-mid="180271927" border="0"  src="https://freight.cargo.site/w/1000/i/dd0fb391e056e86ebc32b5d75bdd6667f25f34a99a04961e78f9399f4a6e5b40/fall-from-grace-01.png" /&#62;


	Reggio Emilia, Italy.
2020
	&#38;nbsp; &#38;nbsp; «Fall from grace»
The sunset of an Italian salotto

	Team: Rosita Palladino,&#38;nbsp;

Institution: FAUL - Faculdade de Architetura da Universidade de Lisboa&#38;nbsp;

Advisors: Ana Vaz Milheiro

Critic: https://mcmh.eu
Brief:
«Fall from grace» is a documentary that attempts to capture the essence of how European middle-class homes have changed over the past fifty years. The salotto is the symbol of Italian houses, where the pleasantries of bourgeois life are staged.



	“The salotto, 
symbol of the Italian middle class,
 is an untouchable archetype in the ritual of living. 
Here time seems crystallised: and it remains embedded in the details.


Antique furniture, found, searched for, inherited and sometimes modified, only shows the society’s best aspect. 

Every ornament, painting and crockery is placed as in a mise and scene, that only begins when the first guest crosses the threshold.


What now? 



In the 21th century conception of domestic space, 
it is not possible to identify a room for temporary use. 
And so, time and beauty remain stacked, 
under what we no longer want or do not want to see. 
One last touching look at the forniture. 
And those who have seen…have seen.”






    



</description>
		
	</item>
		
		
	<item>
		<title>GFHinterland!</title>
				
		<link>https://rositapalladino.com/GFHinterland</link>

		<pubDate>Mon, 29 May 2023 08:56:29 +0000</pubDate>

		<dc:creator>rst.palladino</dc:creator>

		<guid isPermaLink="true">https://rositapalladino.com/GFHinterland</guid>

		<description>
	


&#60;img width="3216" height="2412" width_o="3216" height_o="2412" data-src="https://freight.cargo.site/t/original/i/b5cceffa2e8fdd3ab0090e724234cb4566a7bd99628b85546fa6bbf96ecf37c9/cover.png" data-mid="181059211" border="0"  src="https://freight.cargo.site/w/1000/i/b5cceffa2e8fdd3ab0090e724234cb4566a7bd99628b85546fa6bbf96ecf37c9/cover.png" /&#62;
&#60;img width="1000" height="710" width_o="1000" height_o="710" data-src="https://freight.cargo.site/t/original/i/8cffddc6cdbe2c1201415b7acd158d1f68f501f5dd694919013d0a2b8a66260b/8-9.png" data-mid="181160642" border="0"  src="https://freight.cargo.site/w/1000/i/8cffddc6cdbe2c1201415b7acd158d1f68f501f5dd694919013d0a2b8a66260b/8-9.png" /&#62;
&#60;img width="1000" height="710" width_o="1000" height_o="710" data-src="https://freight.cargo.site/t/original/i/50d31edafaa0d8bcb9d41cc0a5a840564a12f1685966e210895068ab93cc0bf6/12-23.png" data-mid="181160620" border="0"  src="https://freight.cargo.site/w/1000/i/50d31edafaa0d8bcb9d41cc0a5a840564a12f1685966e210895068ab93cc0bf6/12-23.png" /&#62;
&#60;img width="1000" height="710" width_o="1000" height_o="710" data-src="https://freight.cargo.site/t/original/i/699b3d786ac30ed2bbb656d09758b0a7f9ebb6a0b293bc390ff147d998484c2d/72-73.png" data-mid="181160454" border="0"  src="https://freight.cargo.site/w/1000/i/699b3d786ac30ed2bbb656d09758b0a7f9ebb6a0b293bc390ff147d998484c2d/72-73.png" /&#62;
&#60;img width="1000" height="710" width_o="1000" height_o="710" data-src="https://freight.cargo.site/t/original/i/8a531686acef3024a99dd137290176ec98d83e218c4c97b0cc5b5bb944bf6cdf/38-39.png" data-mid="181160474" border="0"  src="https://freight.cargo.site/w/1000/i/8a531686acef3024a99dd137290176ec98d83e218c4c97b0cc5b5bb944bf6cdf/38-39.png" /&#62;
&#60;img width="1000" height="710" width_o="1000" height_o="710" data-src="https://freight.cargo.site/t/original/i/6c8159e217c6c78b8de0ebe3a61c36a0eca445d0aaf03e5e75ccd557a941c963/54mokeup.png" data-mid="181160777" border="0" data-scale="98" src="https://freight.cargo.site/w/1000/i/6c8159e217c6c78b8de0ebe3a61c36a0eca445d0aaf03e5e75ccd557a941c963/54mokeup.png" /&#62;
&#60;img width="1000" height="710" width_o="1000" height_o="710" data-src="https://freight.cargo.site/t/original/i/dbc64b80b15b2c5786af664a1dec812230ec28ad7e8d86b1af3d0b0747cfcc47/98moke.png" data-mid="181161083" border="0"  src="https://freight.cargo.site/w/1000/i/dbc64b80b15b2c5786af664a1dec812230ec28ad7e8d86b1af3d0b0747cfcc47/98moke.png" /&#62;


	Amalfi Coast, Italy.
2021-2022
	«Greetings from the Hinterland!»
Next Project︎︎︎
	
	

	In collaboration with:
ACARBIO.org

Pictures in collaboration with:

Gianluca Busani

Institution: Politecnico di Milano 
Advisors: Elisabetta Bersani, Lola E. Ottolini
	The research aims to discover the Amalfi Coast’s multiple features to unfold the territory’s canonical image commonly associated with seaside tourism. By systematizing the different scenarios of this place, it is possible to rediscover a historical and naturalistic complexity that has been neglected over the decades in favor of an exploration limited to the coast. In bringing to light some of the unknown pieces, we find Tramonti, one of the under-appreciated villages with great potential in the Amalfi Coast hinterland. 

Only 7 kilometers from the coast, perched in the Monti Lattari park, Tramonti remains progressively excluded from the lure of the other Unesco destinations: Amalfi, Ravello, and Positano. The research intends to decode the causes that have led to the progressive underutilization of territorial capital and to find n Tramonti’s archaeology a narrative on which to base its development. To uncover the history and traditions of this rural village, the support of the Acarbio NGO and Tramonti citizens was essential. The research outcomes are workshops encouraging collaboration and visions to enhance the village’s public spaces.
	
	



&#60;img width="1000" height="705" width_o="1000" height_o="705" data-src="https://freight.cargo.site/t/original/i/68ffcc3d8347d6cc2962e6d80ea82b84721fd68273af89d52dd395f55d3d40f2/gfh2.png" data-mid="181159353" border="0"  src="https://freight.cargo.site/w/1000/i/68ffcc3d8347d6cc2962e6d80ea82b84721fd68273af89d52dd395f55d3d40f2/gfh2.png" /&#62;
&#60;img width="1000" height="710" width_o="1000" height_o="710" data-src="https://freight.cargo.site/t/original/i/4395c124c41e23b28ef9da9e3a6d882f106b1bade888b96facdd5211ba79cd28/130-131.png" data-mid="181160285" border="0"  src="https://freight.cargo.site/w/1000/i/4395c124c41e23b28ef9da9e3a6d882f106b1bade888b96facdd5211ba79cd28/130-131.png" /&#62;
&#60;img width="1000" height="710" width_o="1000" height_o="710" data-src="https://freight.cargo.site/t/original/i/5241d3512dafd54decad3971940278cb25cf97fefe5074018a0b5af2affc0d0a/134-135.png" data-mid="181159543" border="0"  src="https://freight.cargo.site/w/1000/i/5241d3512dafd54decad3971940278cb25cf97fefe5074018a0b5af2affc0d0a/134-135.png" /&#62;
&#60;img width="1000" height="705" width_o="1000" height_o="705" data-src="https://freight.cargo.site/t/original/i/7cb0785e245de3131bdf8c025ffbbdb45d80f1066fd478509122bb688a822d73/gfh6.png" data-mid="181159490" border="0"  src="https://freight.cargo.site/w/1000/i/7cb0785e245de3131bdf8c025ffbbdb45d80f1066fd478509122bb688a822d73/gfh6.png" /&#62;
&#60;img width="1000" height="710" width_o="1000" height_o="710" data-src="https://freight.cargo.site/t/original/i/b2487a54bef51213895bdbbf6c64c69053664d1e1a6a209b48ed5071a13dec42/154-155.png" data-mid="181159556" border="0"  src="https://freight.cargo.site/w/1000/i/b2487a54bef51213895bdbbf6c64c69053664d1e1a6a209b48ed5071a13dec42/154-155.png" /&#62;
&#60;img width="1000" height="705" width_o="1000" height_o="705" data-src="https://freight.cargo.site/t/original/i/debec0fcbbed09d6053d413c27065d1f39fc3bd8d916d214a58415e1e15888e9/gfh4.png" data-mid="181159395" border="0"  src="https://freight.cargo.site/w/1000/i/debec0fcbbed09d6053d413c27065d1f39fc3bd8d916d214a58415e1e15888e9/gfh4.png" /&#62;
&#60;img width="1000" height="705" width_o="1000" height_o="705" data-src="https://freight.cargo.site/t/original/i/2332ecc9d5518c931f674602177062bca5504ef6b1e2757e45f8c7d12016dec1/gfh5.png" data-mid="181159479" border="0"  src="https://freight.cargo.site/w/1000/i/2332ecc9d5518c931f674602177062bca5504ef6b1e2757e45f8c7d12016dec1/gfh5.png" /&#62;
&#60;img width="1000" height="710" width_o="1000" height_o="710" data-src="https://freight.cargo.site/t/original/i/beef1fca37f4f87ddc127b4781d53675b42b13415f5c8794241d6fbc553a4e30/144-145.png" data-mid="181160301" border="0"  src="https://freight.cargo.site/w/1000/i/beef1fca37f4f87ddc127b4781d53675b42b13415f5c8794241d6fbc553a4e30/144-145.png" /&#62;
&#60;img width="1000" height="705" width_o="1000" height_o="705" data-src="https://freight.cargo.site/t/original/i/6e443db1eebd2e8bc89f3f12da2c27615ae36021f2269fc1883df29c98cb4f62/gfh1.png" data-mid="181159275" border="0" data-scale="99" src="https://freight.cargo.site/w/1000/i/6e443db1eebd2e8bc89f3f12da2c27615ae36021f2269fc1883df29c98cb4f62/gfh1.png" /&#62;
&#60;img width="1000" height="705" width_o="1000" height_o="705" data-src="https://freight.cargo.site/t/original/i/c186eac55fd0c3904fb2633bfd586168dc16af8034ac9562a2147170c21ef0b3/gfh3.png" data-mid="181159364" border="0"  src="https://freight.cargo.site/w/1000/i/c186eac55fd0c3904fb2633bfd586168dc16af8034ac9562a2147170c21ef0b3/gfh3.png" /&#62;

Illustrations



	
&#60;img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/9708a3b6d2a174defcb56e6d67889a83fee6f0718ea0825c9c5d642a4e689b1e/gfhmappa.png" data-mid="181159143" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/9708a3b6d2a174defcb56e6d67889a83fee6f0718ea0825c9c5d642a4e689b1e/gfhmappa.png" /&#62;
&#60;img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/2c4003600b0ec8d1b87b3623efd502bd47be9761e27922f495ff49e0c405d098/immmagini-1.png" data-mid="181159007" border="0" data-scale="55" src="https://freight.cargo.site/w/1000/i/2c4003600b0ec8d1b87b3623efd502bd47be9761e27922f495ff49e0c405d098/immmagini-1.png" /&#62;
&#60;img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/dc100483c2391f472fa6d7ea7bf80126f9ebec961403e8f58b465dfcccef1bcc/immmagini-2.png" data-mid="181159084" border="0"  src="https://freight.cargo.site/w/1000/i/dc100483c2391f472fa6d7ea7bf80126f9ebec961403e8f58b465dfcccef1bcc/immmagini-2.png" /&#62;
&#60;img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/e8d2b0380ed3d3b7c8296babf0baaf10064a1fa47d6bab50e2ec32872188530d/immmagini-3.png" data-mid="181159118" border="0"  src="https://freight.cargo.site/w/1000/i/e8d2b0380ed3d3b7c8296babf0baaf10064a1fa47d6bab50e2ec32872188530d/immmagini-3.png" /&#62;
&#60;img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/f43426372ad6f5969c3206073dc29e421eee8cb0643b235ad1b1df4816f67d8b/172-173.png" data-mid="181159587" border="0"  src="https://freight.cargo.site/w/1000/i/f43426372ad6f5969c3206073dc29e421eee8cb0643b235ad1b1df4816f67d8b/172-173.png" /&#62;
&#60;img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/f105bfb1f72e721f7cb2c2ecb655fb0d95d5fd9a5bbc43bcd7097fce9fcc3901/178-179.png" data-mid="181159603" border="0"  src="https://freight.cargo.site/w/1000/i/f105bfb1f72e721f7cb2c2ecb655fb0d95d5fd9a5bbc43bcd7097fce9fcc3901/178-179.png" /&#62;
&#60;img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/fbc96120424b795909fd6c89a8a996b19ada6c84b1628c5041cbd9a91fd49c8e/184-185.png" data-mid="181159695" border="0"  src="https://freight.cargo.site/w/1000/i/fbc96120424b795909fd6c89a8a996b19ada6c84b1628c5041cbd9a91fd49c8e/184-185.png" /&#62;
&#60;img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/05cf7ce2b85c923308b0344b14c98c5b6720d9673629db2e26aa6595bbab2f3e/190-191.png" data-mid="181159763" border="0"  src="https://freight.cargo.site/w/1000/i/05cf7ce2b85c923308b0344b14c98c5b6720d9673629db2e26aa6595bbab2f3e/190-191.png" /&#62;
&#60;img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/56dba45bdd68638315a6cd2ce1b0847e0fc7acf99b2cc2c3d1267c12b26347d3/gfhsezione.png" data-mid="181159240" border="0"  src="https://freight.cargo.site/w/1000/i/56dba45bdd68638315a6cd2ce1b0847e0fc7acf99b2cc2c3d1267c12b26347d3/gfhsezione.png" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>Sardigna no est Italia </title>
				
		<link>https://rositapalladino.com/Sardigna-no-est-Italia</link>

		<pubDate>Wed, 07 Jun 2023 15:57:45 +0000</pubDate>

		<dc:creator>rst.palladino</dc:creator>

		<guid isPermaLink="true">https://rositapalladino.com/Sardigna-no-est-Italia</guid>

		<description>


	
&#60;img width="4516" height="2581" width_o="4516" height_o="2581" data-src="https://freight.cargo.site/t/original/i/3d16619bf31b6e222a93bb453a85ce97a43b54c3b0204a0cf3efbc4d6aaa9baa/NB.png" data-mid="219352671" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/3d16619bf31b6e222a93bb453a85ce97a43b54c3b0204a0cf3efbc4d6aaa9baa/NB.png" /&#62;
&#60;img width="2835" height="1701" width_o="2835" height_o="1701" data-src="https://freight.cargo.site/t/original/i/ac59c09dd99f8139965184efdbe12c27c48b3e8f7327b8345387f3c4709f44c3/sardigna-no-est-italia-01.png" data-mid="181350231" border="0" data-scale="89" src="https://freight.cargo.site/w/1000/i/ac59c09dd99f8139965184efdbe12c27c48b3e8f7327b8345387f3c4709f44c3/sardigna-no-est-italia-01.png" /&#62;
&#60;img width="2835" height="1701" width_o="2835" height_o="1701" data-src="https://freight.cargo.site/t/original/i/44bd61bdf79c4bc797c9080c1f20410b18b1c36ea7ff8b56436e6232ea3bcf36/sardigna-no-est-italia-02.png" data-mid="184673238" border="0"  src="https://freight.cargo.site/w/1000/i/44bd61bdf79c4bc797c9080c1f20410b18b1c36ea7ff8b56436e6232ea3bcf36/sardigna-no-est-italia-02.png" /&#62;
&#60;img width="2835" height="1701" width_o="2835" height_o="1701" data-src="https://freight.cargo.site/t/original/i/db81a39c229e1aed9d4f4d668211613ecce7b6da24ac56423c1143cb1e6b87c2/sardigna-no-est-italia-03.png" data-mid="181350338" border="0"  src="https://freight.cargo.site/w/1000/i/db81a39c229e1aed9d4f4d668211613ecce7b6da24ac56423c1143cb1e6b87c2/sardigna-no-est-italia-03.png" /&#62;
&#60;img width="2835" height="1701" width_o="2835" height_o="1701" data-src="https://freight.cargo.site/t/original/i/1a72d70aa4b8e0e984015fb01c4021b38c59e92b58188806ae34f9b141a8eff2/sardigna-no-est-italia-04.png" data-mid="181350379" border="0" data-scale="82" src="https://freight.cargo.site/w/1000/i/1a72d70aa4b8e0e984015fb01c4021b38c59e92b58188806ae34f9b141a8eff2/sardigna-no-est-italia-04.png" /&#62;


	Sardinia, Italy
2022
	«Sardigna no est Italia: Act I»Next ︎︎︎
	
	

	
Institution:&#38;nbsp;Harvard Graduate School of Design&#38;nbsp;
Advisor: Rosalea Monacella

Brief:
The ubiquitous and relentless exploitation of the earth as a resource for energy production to be plundered and commodified continues to disrupt the deep complex processes of nature leading to major environmental and health ramifications. The climate crisis is symptomatic of this prejudice where the power of a select few humans rises above others and their non-human counterparts, corralled into disciplinary regimes of work valued through distinct economic imperatives.

	The European energy crisis worsened by the Russian ban over the export of gas, brought Italy to speculate on reopening Sardinia’s carbon mines and restarting negotiations with Algeria for the project GALSI (Algeria-Sardinia-Italia Gas-pipeline): one more pipeline in the cruelest trait of Mediterraneum, crossed by thousands of migrants [STATELESS]. Yet, the national energetic necessity is only the trigger that exposed what has been obscured for decades: the still visible effects of the “Sardinian Issue”. 

The term was coined by Gian Battista Tuveri (1815-1887), a theorist of Italian federalism. It underlines that the economic underdevelopment and systematic poverty are attributable to centuries of colonial interests due to Sardinia’s strategic location in the Mediterranean sea. The Sardinian issue has to be integrated with a dispute for independence, which was always neglected. Thus, «Sardigna no est Italia» became the ideal motto for the island’s condition. Mineral extraction and still unrecovered soil contamination are just the beginning of complex analyses on power structures. If, in contemporary times, the exploitation of Sardinia started during the late XIX century Grand Tour, the more relevant colonial interest became crucial during the twenty years of Fascism (1922-1943). 

Benito Mussolini (1883-1945) founded three cities: Fertilia, Arborea, and Carbonia, whose history is unknown outside the island’s borders: supposedly they are rehearsals of his colonial ambitions in Africa. Those city names, are not aimless; toponymy was used as a subtle form of power over the landscape. 

The first two project seek recovery marches for dairy and agricultural production, and the latter to boost carbon extraction in the South [MILK ISSUE, ARBOREA, CARBONIA]. The Fascist project incentivized migration to Sardinia, but the mining dream failed with the end of the autarky. In the 1960s, the economic boom transformed the beautiful North-East area into the perfect touristic destination. 
A lack of territorial regulations and economic interests transformed the coastline in the locations for second houses and overscaled hotels [ECOMOSTRI]. In the 1970s, two large-scale power plants colonized the island, 1/4 of Italian coal-fired power stations are in Sardinia [ENERGY?]. Finally, in the last years, many protests against Sardinia’s condition occurred. Some demanded a market to include traditional diary production annihilated by the industrial ones, and others asked for the truth about the weapons experimentation compromising the island’s ecosystem and public health [MILK ISSUE].


	
	






	
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		<title>Stitching Atomic Narratives</title>
				
		<link>https://rositapalladino.com/Stitching-Atomic-Narratives</link>

		<pubDate>Mon, 12 Jun 2023 11:54:55 +0000</pubDate>

		<dc:creator>rst.palladino</dc:creator>

		<guid isPermaLink="true">https://rositapalladino.com/Stitching-Atomic-Narratives</guid>

		<description>


	
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	Sardinia, Italy
Belene, BulgariaKozluduy, Bulgaria&#38;nbsp;
2023
	«Stitching Atomic Narratives»
Next ︎︎︎
	
	

	Team: Rosita Palladino, Mara Diavolova, Galena Sardamova. 

Institution: Harvard Graduate School of Design

In collaboration: UN Office for Disarmament Affairs, Youth4Disarmament. 
Advisor: Malkit Shoshan

Brief:
The developments that led to the splitting of the atom are perhaps the best manifestation of both the opportunities and the existential threats associated with technological advancement—especially when unchecked. Nuclear technology reminds us that human survival on earth is not a given, as humans have become dangerous not only to themselves, but to the entire biosphere.2This essay provides an overview of a semester-long collaborative effort, in conversation with the UN Office for Disarmament Affairs, to develop creative, artistic and activist perspectives to look at the wide spectrum of the “nuclear dilemma”, including the risks associated with the use of nuclear weapons and their testing to the critiques surrounding nuclear energy as well as the human rights and exclusionary implications of nuclear technologies.
	Stitching Atomic Narratives examines and brings together three exclusion zones – Sardigna in Italy, and Kozloduy and Belene in Bulgaria – in an attempt to unfold the blurred entanglement between nuclear technology and its geo-political and socio-cultural agents. The project asks to what degree it is possible to trace a network of interconnected patches related to nuclear technology, simultaneously focusing on micro and macro aspects of the issue.
Our motivation is to center different peripheries: on the one hand in terms of global international relations, and on the other hand on a local level – since all three regions we are looking at have been historically neglected within their respective locales. In addition to studying the specific sites and agents they have interacted with, we also aim to recognize the spaces in between those entanglements, or between what has been documented and what has been left unseen. Through centering this tension, we ultimately make the invisible visible, and give voice to people and places which have not necessarily had such agency before. The desired effect of this effort is to foster a sense of empathy both within the studied geographies and beyond. By learning about similarly affected exclusion zones, members of the individual communities will recognize themselves in a broader narrative; this empathy, however, also transcends relation and goes beyond self-recognition, as will be the case with publics seemingly not directly affected by the issues at hand.
The project interacts with audiences on several distinct, but also interconnected levels: we start from studying the local, then zoom out to trace its global entanglements, and finally return to the microcosmic with newfound awareness. Closely related to the examined territories yet observing them from afar, we hope to share our findings with groups unfamiliar with these histories, but also hope to bring a sense of empowerment to the communities we have borrowed experience and knowledge from.
Our methodology for gathering and organizing data was strongly inspired by “Patchy Anthropocene: Landscape Structure, Multispecies History, and the Retooling of Anthropology” by Anna Tsing, Andrew S. Mathews, and Nils Bubandt – “a conceptual tool for noticing landscape structure, with special attention to what we call ‘modular simplifications’ and ‘feral proliferations.’” To reveal a network of interconnected systems that form an overarching structure of nuclear power, we mapped a series of geo-political entanglements stemming from the three sites, lines of material flow, and networks of nuclear infrastructure and technology. Enveloping all of these elements is a layer which we have called the “placenta” – or all that underlies what is seemingly known. These layers are collapsed onto one another to form a map of patches unraveled and re-stitched.
The archival object materializes the discovered interconnections and everything in between. This portable ever-growing archive exists in the form of a suitcase filled with maps, diagrams, text documents, photographs, and objects connected to nuclear power’s presence in and influence on the studied territories. The artefacts are treated as a travelling lawsuit, with the three researched locations acting as illustrative case studies; the additional entangled sites we have mapped out form the itinerary the suitcase passes through and is activated in. By giving such a tangible dimension to our research and an added sense of agency, we aim to expose all the poignantly human aspects of a topic still scarily vague and inaccessible to the collective imagination.
	
	



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Illustrations



	
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